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But eventually they started offering it, too, particularly on the nicer prosumer cameras (some of which also offered the ability to control an analog edit deck via the camcorder).Īnyway, that's your bit of useless history for the day.VIDBOX VHS to DVD Deluxe Free Download: Save your precious memories. Maybe it was just corner-cutting, or maybe it was an attempt to protect the remaining Digital8 market but not eroding one of its few advantages over MiniDV. Sony eventually realized that MiniDV was going to be the format-war winner and started selling them alongside Digital8, but for whatever reason their early consumer models tended not to have AV-to-DV dubbing ability as reliably. As someone who sold video cameras at the time, I always thought this was a reasonable counterargument, particularly if it came with a few packs of free tapes. The tapes weren't directly backwards-compatible to anything, but it gave you a nice method for copying all your old recordings forward onto new tapes and fresh media. To try and neutralize this selling point, Panasonic equipped its MiniDV camcorders with the ability to record an arbitrary NTSC video input to DV tape. This was a big selling point to people who had older Hi8 camcorders. Sony's Digital8 format used Hi8 tapes, and the camcorders were (usually) backwards-compatible and could play back the analog tapes. They were both the exact same bitstream format to a computer it doesn't matter if a camcorder is Digital8 or MiniDV.
Panasonic, Canon, and some other manufacturers got behind MiniDV Sony (and basically nobody else that I recall, maybe Hitachi?) decided to push "Digital8". The reason the feature was mostly found on early Panasonic cameras was because in the late 90s there was a minor and now mostly forgotten format war over digital video tape standards. Panasonic was good about putting it on nearly all their cameras including the cheap PV-DV1xx series, which I have seen in thrift stores (!) on occasion recently.įor those who are particularly interested in some semi-obscure digital video history. Later Sony ones sometimes have it, but generally only on their more expensive models. The only limitation is that not all MiniDV camcorders would do the analog-to-DV conversion trick. So you are limited in quality on that side. Only real limitation is it's composite only, since most cheap MiniDV camcorders didn't have S-Video inputs (a few did, I think, but not many mostly the prosumer ones). hell, if you can find a working 3/4" or Betamax deck, that'd work too. VHS, VHS-C (just need a converter and you can play it in a VHS deck), 8mm (using another camcorder). The nice thing is that it will work with any composite video signal, so if you can find a playback device for that old tape, you can encode it. I've personally done it with a Panasonic MiniDV camcorder, can't speak to other brands. Works as well as the dedicated analog-to-DV converter boxes and easier to find around. although personally I'd recommend archiving the raw DV footage.
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From there it's just a software operation to make it into a DVD if that's what you want. Then all you need to do is plug a VCR into the camera and the camera into your computer over FireWire, put the camera into playback or monitor mode, and record the incoming feed, which will be 480p, using any number of utilities. If you can find a MiniDV camcorder around (last generation of tape-based camcorders before they went to SD cards), many of the halfway decent ones will take a composite video signal as input and spit it out as a digital signal on the FireWire port. Just make sure to tag the post with the flair and give a little background info/context. On Fridays we'll allow posts that don't normally fit in the usual data-hoarding theme, including posts that would usually be removed by rule 4: “No memes or 'look at this '”
Search the Internet, this subreddit and our wiki before posting.And we're trying really hard not to forget.ģ.3v Pin Reset Directions :D / Alt Imgur link Along the way we have sought out like-minded individuals to exchange strategies, war stories, and cautionary tales of failures.
Everyone has their reasons for curating the data they have decided to keep (either forever or For A Damn Long Timetm). government or corporate espionage), cultural and familial archivists, internet collapse preppers, and people who do it themselves so they're sure it's done right. Among us are represented the various reasons to keep data - legal requirements, competitive requirements, uncertainty of permanence of cloud services, distaste for transmitting your data externally (e.g.
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